“Yohji stands with the horizon ahead of him watching the grey air touch the grey water.”
(via bbook)
Shooting film? Check out this list of labs all over the United States that still process film!
(via Motion Picture Film Labs – USA | AMIA Film Advocacy Task Force)
Jack Nicholson, 1975
(via bbook)
(via bbook)
Photographer/Director Chase Jarvis gives a quick tip on how to get dynamic boom shots on the cheap
Here’s what went into this fine piece of jury-rigging:
_Manfrotto Support
_Canon 5D Mark III
_Cordelette [Find it at most outdoor gear stores or online — often listed under “Accessory cords.”]
If you’re swinging that camera out over an edge (like Chris does), make sure you’re on solid footing and keep a tight grip on that cordelette.
And that’s it. Super-cheap, super-effective boom solution done at altitude.
The ArtPower! Student Marketing team is all revved up for the Spark Party! (at The Loft At UCSD)
(via bbook)
Interviewer: Do you think people understand you?
Bresson: I don’t know if they understand me, but is the issue here the film or me? If its the film, I think - I’d rather people feel a film before understanding it. I’d rather feelings arise before intellect.
(via bbook)
William s Burroughs, Paris, devant le Beat Hotel.
Altered and scratched 35-mm slide.
(via bbook)
Like Arrested Development? Need stock green screen footage to play with? Why not put Dr. Tobias Funke directly into your films!
(via insertmeanywhere - The Acting Styles of Dr. Tobias Fünke)
Created for Sight & Sound magazine (bit.ly/V3vPqd) // The cinema of Koreeda Hirokazu is defined by moments of everyday life. Whatever potential there is for heightened drama – the suicide of a husband, a cult massacre, abandoned children – it is diffused by the familiar rhythms of everydayness.